| Á¦¸ñ | ±¹°¡ | ½Åû |
| °¨µ¶ | ÀÚ¸· | ½Ã°£ | ȸé | ÈÁú |
| 1 | ±¸¸§ ÀúÆí¿¡ Beyond the Clouds (1995) | ÇÁ¶û½º-ÀÌÅ»¸®¾Æ-µ¶ÀÏ |  |
| ¹ÌÄ̶õÁ©·Î ¾ÈÅä´Ï¿À´Ï | ¿µ¾îÀÚ¸· | 107 | WS | A+
|
| 2 | ½ºÀ§¹Ö Ç® Swimming Pool (2003) | ÇÁ¶û½º |  |
| ÇÁ¶û¼Ò¾Æ ¿ÀÁ¾ | ¿µ¾îÀÚ¸· | 102 | WS | A+
|
| 3 | ¸ÖȦ·£µå µå¶óÀ̺ê Mulholland Drive (2001) | ¹Ì±¹ |  |
| µ¥À̺ø ¸°Ä¡ | ¿µ¾îÀÚ¸· | 146 | WS | A+
|
| 4 | ¼¼°¡Áö »ö : ºí·ç Trois Coleurs: Bleu (1993) | ÇÁ¶û½º |  |
| Å©Áö½¬ÅäÇÁ Ű¿¡½½·Ó½ºÅ° | ¿µ¾îÀÚ¸· | 100 | WS | A+
|
| 5 | ¼¼°¡Áö »ö : ÈÀÌÆ® Trois Coleurs: Blanc (1994) | ÇÁ¶û½º |  |
| Å©Áö½¬ÅäÇÁ Ű¿¡½½·Ó½ºÅ° | ¿µ¾îÀÚ¸· | 91 | WS | A+
|
| 6 | ¼¼°¡Áö »ö : ·¹µå Trois Coleurs: Rouge (1994) | ÇÁ¶û½º |  |
| Å©Áö½¬ÅäÇÁ Ű¿¡½½·Ó½ºÅ° | ¿µ¾îÀÚ¸· | 99 | WS | A+
|
| 7 | Çü»ç Detective (1986) | ÇÁ¶û½º |  |
| Àå-·ó °í´Ù¸£ | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 8 | ¹èƲ ·Î¾â Battle Royale (2000) | ÀϺ» |  |
| ÈÄÄ«»çÄí ±äÁö | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 9 | ÀÌ¿ôÀÇ ¾ß¸¶´Ù±º (1999) | ÀϺ» |  |
| ´ÙÄ«ÇÏŸ ÀÌ»ç¿À | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 10 | °í½ºÆ® ¼öÇÁ Ghost Soup (1992) | ÀϺ» |  |
| ÀÌ¿ÍÀÌ ½´¿îÁö | ¿µ¾îÀÚ¸· | 58 | WS | A+
|
| 11 | °ÅÁþ¸» °ÅÁþ¸» °ÅÁþ¸» Lie Lie Lie (1997) | ÀϺ» |  |
| ³ªÄ«Ç϶ó ÁØ | ¿µ¾îÀÚ¸· | 124 | WS | A+
|
| 12 | ÆÄÀÌÆ® Ŭ·´ Fight Club (1999) | ¹Ì±¹ |  |
| µ¥À̺ø ÇÉó | ¿µ¾îÀÚ¸· | 139 | WS | A+ |
| 13 | ¹ÌÁö¿ÍÀÇ Á¶¿ì Close Encounters of the Third Kind (1977) | ¹Ì±¹ |  |
| ½ºÆ¼ºì ½ºÇʹö±× | ¿µ¾îÀÚ¸· | 137 | WS | A+
|
| 14 | ¾ÆÀÌÁî ¿ÍÀÌµå ¼Ë Eyes Wide Shut (1999) | ¹Ì±¹ |  |
| ½ºÅĸ® Å¥ºê¸¯ | ¿µ¾îÀÚ¸· | 159 | WS | A+
|
| 15 | ¶óµð¿ÀÀÇ ½Ã°£ Welcome Back Mr. McDonald (1997) | ÀϺ» |  |
| ¹ÌŸ´Ï ÄÚŰ | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 16 | ºñ»ó±Ù¹« Bringing Out the Dead (1999) | ¹Ì±¹ |  |
| ¸¶Æ¾ ½ºÄݼ¼Áö | ÀÚ¸·¾øÀ½ | 120 | WS | A
|
| 17 | ¿Àµð¼Ç Audition (1999) | ÀϺ» |  |
| ¹ÌÀÌÄÉ ´ÙÄ«½Ã | ÇѱÛÀÚ¸· | 115 | WS | B+
|
| 18 | ¸µ0 Ring 0 Birthday (2000) | ÀϺ» |  |
| Ã÷·çŸ ³ë¸®¿À | ÇѱÛÀÚ¸· | 99 | WS | B+
|
| 19 | ½ºÆ®·¹À̽º ½ºÅ丮 The Straight Story (1999) | ¹Ì±¹ |  |
| µ¥À̺ø ¸°Ä¡ | ÀÚ¸·¾øÀ½ | 120 | WS | A+
|
| 20 | ºÒ¸éÁõ Insomnia (1997) | ³ë¸£¿þÀÌ |  |
| ¿¡¸¯ ½ºÄݵå¹è¸£±× | ÇѱÛÀÚ¸· | 97 | WS | A
|
| 21 | ½Åµé°ú ±«¹°µé Gods and Monsters (1998) | ¹Ì±¹ |  |
| ºô Äܵ· | ÇѱÛÀÚ¸· | 105 | WS | A
|
| 22 | ½Ì±Û °É Single Girl (1995) | ÇÁ¶û½º |  |
| ºê³ë¾Æ ÀÚ²ô | ÇѱÛÀÚ¸· | 86 | WS | A
|
| 23 | ·Î¸Á½º (1999) | ÇÁ¶û½º |  |
| ±î¶ß¸°´À ºê·¹ÀÌ¾Æ | ÇѱÛÀÚ¸· | 93 | WS | A
|
| 24 | ¸ÅÆ®¸¯½º Matrix (1999) | ¹Ì±¹ |  |
| ¿ö¼î½ºÅ° ÇüÁ¦ | ÇѱÛÀÚ¸· | 120 | WS | A+
|
| 25 | ¹öÅÍÇöóÀÌ Å°½º Butterfly Kiss (1995) | ¿µ±¹ |  |
| ¸¶ÀÌŬ À©Å͹ÙÅÒ | ÇѱÛÀÚ¸· | 88 | WS | B+
|
| 26 | Äè¶ô°ú Ÿ¶ô Hold You Tight (1998) | È«Äá |  |
| °ü±ÝºØ | ÇѱÛÀÚ¸· | 93 | WS | B+
|
| 27 | ÇØÇǴϽº Happiness (1998) | ¹Ì±¹ |  |
| Åäµå ¼Ö·ÐÁî | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 28 | ÇØº¯ÀÇ ½Å¹åµå îªΫ·«ó«É«Ð«Ã«É (1996) | ÀϺ» |  |
| ÇϽñ¸Ä¡ ·á½ºÄÉ | ÇѱÛÀÚ¸· | 129 | WS | B+
|
| 29 | ¾Æµå·¹³¯¸° µå¶óÀ̺ê Adrenaline Drive (1999) | ¹Ì±¹ |  |
| ¾ß±¸Ä¡ ½Ã³ëºÎ | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 30 | ŰÄíÁö·ÎÀÇ ¿©¸§ Kikujiro (1999) | ÀϺ» |  |
| ±âŸ³ë ´ÙÄɽà | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 31 | ¸®ºù ¿£µå The Living End
(1992) | ¹Ì±¹ |  |
| ±×·º ¾Æ¶óŰ | ÇѱÛÀÚ¸· | 93 | | B+
|
| 32 | ÀÌºíµ¥µå Æ®·¦ Evil Deal Trap
(199) | ÀϺ» |  |
| ÀÚ¸·¾øÀ½ | 120 | | B
|
| 33 | ¶óÀ̾ð ÀϺ´ ±¸Çϱâ Saving Private Ryan (1997) | ¹Ì±¹ |  |
| ½ºÆ¼ºì ½ºÇʹö±× | ÀÚ¸·¾øÀ½ | 169 | WS | A+
|
| 34 | ¾Æ¸¶°Ôµ· Armageddon (1998) | ¹Ì±¹ |  |
| ¸¶ÀÌŬ º£ÀÌ | ÀÚ¸·¾øÀ½ | 153+120 | WS | A+
|
| 35 | µ¥¸ó½º 2 Demons 2
(1986) | ÀÌÅ»¸®¾Æ |  |
| ¶÷º£¸£Åä ¹Ù¹Ù | ÀÚ¸·¾øÀ½ | 120 | | B
|
| 36 | ¸¶¾ß µ¥·» ½ÇÇè¿µÈ ¹À½ Maya Deren: Collected Experimental Film
(1986) | ¹Ì±¹ |  |
| ¸¶¾ß µ¥·» | ÇѱÛÀÚ¸· | 120 | | B
|
| 37 | ÀÎÆä¸£³ë Inferno
(1980) | ÀÌÅ»¸®¾Æ |  |
| ´Ù¸®¿À ¾Æ¸£Á¨Åä | ÀÚ¸·¾øÀ½ | 120 | | B
|
| 38 | º¯Å°¡Á· ÇüÀÇ »õ °¢½Ã Abnormal Family (1983) | ÀϺ» |  |
| ¸¶»çÀ¯Å° ¼ö¿À | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 39 | µµ·¹¹ÌÆÄ ¼Ò³àÀÇ Çǰ¡ ²ú´Â´Ù The Excitement of the Do-Re-Mi-Fa Girl (1985) | ÀϺ» |  |
| ±¸·Î»ç¿Í ±â¿ä½Ã | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 40 | ´º¿å ¸®ÆÛ The New York Ripper
(1982) | ÀÌÅ»¸®¾Æ |  |
| ·çÄ¡¿À Ǯġ | ÀÚ¸·¾øÀ½ | 120 | | B
|
| 41 | Æä³ë¹Ì³ª Phenomena
(1985) | ÀÌÅ»¸®¾Æ |  |
| ´Ù¸®¿À ¾Æ¸£Á¨Åä | ÀÚ¸·¾øÀ½ | 120 | | B
|
| 42 | ¾ÆÄí¾Æ¸®½º Stage Fright (1987) | ¹Ì±¹ |  |
| ¸¶ÀÌŬ ¼Òºñ | ÀÚ¸·¾øÀ½ | 120 | WS | B
|
| 43 | óŰÀÇ ½ÅºÎ The Bride of Chucky (1998) | ¹Ì±¹ |  |
| ·Î´Ï À¯ | ÀÚ¸·¾øÀ½ | 120 | WS | B
|
| 44 | ¸Í±Û·¯ The Mangler (1995) | ¹Ì±¹ |  |
| Åäºñ ÈÄÆÛ | ÀÚ¸·¾øÀ½ | 120 | WS | B
|
| 45 | ³ªÀÌÆ®¸Þ¾î The Nightmare on Elm Street (1984) | ¹Ì±¹ |  |
| ¿þ½º Å©·¹À̺ì | ÀÚ¸·¾øÀ½ | 120 | WS | B+
|
| 46 | Å¥ºê Cube (1997) | ij³ª´Ù |  |
| ºó¼¾Á¶ ³ªÅ»¸® | ÀÚ¸·¾øÀ½ | 120 | WS | B+
|
| 47 | ´Ï¼¼±¸2: Ç÷À°ÀÇÈ «Ë«»«¯2: úì뿪Îü¤
(19) | ÀϺ» |  |
| ÀÚ¸·¾øÀ½ | 120 | | B
|
| 48 | Çï·¹ÀÌÀú Hellraiser (1987) | ¹Ì±¹ |  |
| Ŭ¶óÀÌºê ¹ÙÄ¿ | ÀÚ¸·¾øÀ½ | 120 | WS | B+
|
| 49 | Åå½Ä ¾îº¥Àú The Toxic Avenger (1985) | ¹Ì±¹ |  |
| ¸¶ÀÌŬ Ç츣Âê-¸£·ÎÀ̵å Ä«¿ìÇÁ¸Õ | ÀÚ¸·¾øÀ½ | 120 | WS | B |
| 50 | ÈÀå½ÇÀÇ ÇϳªÄÚ Hanako (1999) | ÀϺ» |  |
| À¯Å°È÷ÄÚ ÃßÃ÷¹Ì | ÇѱÛÀÚ¸· | 105 | WS | B+
|
| 51 | »ç±¹ (1999) | ÀϺ» |  |
| ³ªÄ«»çŰ ÁØÀÌÄ¡ | ÇѱÛÀÚ¸· | 100 | WS | B+
|
| 52 | źȯÁÖÀÚ Dangan Runner (1998) | ÀϺ» |  |
| »çºÎ | ÇѱÛÀÚ¸· | 90 | WS | B+
|
| 53 | ¸µ2 Ring 2 (1999) | ÀϺ» |  |
| ³ªÄ«´Ù È÷µ¥¿À | ÇѱÛÀÚ¸· | 120 | WS | A
|
| 54 | »ç¹«¶óÀÌ Le Samourai (1967) | ÇÁ¶û½º |  |
| Àå-»ß¿¡¸£ ¸áºô | ÇѱÛÀÚ¸· | 120 | WS | A
|
| 55 | ºí·¢ ³ª¸£½Ã¼½º Black Narcissus
(1947) | ¿µ±¹ |  |
| ¸¶ÀÌŬ ÆÄÀ£-¿¡¸Ó¸¯ ÇÁ·¹½º¹ö°Å | ÇѱÛÀÚ¸· | 120 | | A
|
| 56 | ÃÊ´ë¹ÞÁö ¾ÊÀº ¼Õ´Ô Guess Who's Coming to Dinner (1967) | ¹Ì±¹ |  |
| ½ºÅĸ® Å©·¹ÀÌ¸Ó | ÇѱÛÀÚ¸· | 108 | WS | A
|
| 57 | Áö³ ¿©¸§ °©ÀÚ±â Suddenly, Last Summer (1959) | ¹Ì±¹ |  |
| Á¶¼Á L. ¸ÇŰºñÃ÷ | ÇѱÛÀÚ¸· | 114 | WS | A
|
| 58 | Çܸ´ Hamlet (1948) | ¿µ±¹ |  |
| ·Î·»½º ¿Ã¸®ºñ¿¡ | ÇѱÛÀÚ¸· | 140 | WS | A
|
| 59 | 49¹øÂ° 49th Parallel (1941) | ¹Ì±¹ |  |
| ¸¶ÀÌŬ ÆÄÀ£ | ÇѱÛÀÚ¸· | 104 | WS | A
|
| 60 | ÆÄ¾÷ Stachka
(1925) | ·¯½Ã¾Æ |  |
| ¼¼¸£°ÔÀÌ ¿¡ÀÌÁ¨½´Å×ÀÎ | ÇѱÛÀÚ¸· | 82 | | A
|
| 61 | ´ÜÆí¿µÈÀú³Î : ±ÇÀ§ Short Cinema Joural : Authority (1998) | ¹Ì±¹ |  |
| Æú¸®±×·¥ ¿µÈ»ç | ÀÚ¸·¾øÀ½ | 180 | WS | A+
|
| 62 | ¹ã°ú ¾È°³ Night and Fog
(19) | ÇÁ¶û½º |  |
| ¾Ë·© ·¹³× | ¿µ¾îÀÚ¸· | 60 | | A+
|
| 63 | ³× ¹«´ý¿¡ ħÀ» ¹ñ¾î¶ó I Spit on Your Grave
(1978) | ¹Ì±¹ |  |
| ¸Þ¾î ÀÚ¸£Ä¡ | ÀÚ¸·¾øÀ½ | 97 | | A
|
| 64 | »ìÀÎ ³«ÀÎ Branded to Kill (1967) | ÀϺ» |  |
| ½ºÁîŰ ¼¼ÀÌÁØ | ¿µ¾îÀÚ¸· | 91 | WS | A+
|
| 65 | µå¶óÅ¥¶óÀÇ ÇÇ Blood for Dracula (1974) | ¹Ì±¹ |  |
| Æú ¸ð¸®¼¼ÀÌ | ÀÚ¸·¾øÀ½(¿µ¾îÀÚ¸·) | 103 | WS | A+
|
| 66 | µµÄì µ¥Ä«´ç½º Tokyo Decadence
(1991) | ÀϺ» |  |
| ¹«¶óÄ«¹Ì ·ù | ¿µ¾îÀÚ¸· | 100 | | A+
|
| 67 | ½ºÇÁ¸®°Ç SPRIGGAN (1998) | ÀϺ» |  |
| °¡¿Í»çŰ È÷·ÎÃ÷Äí | ÇѱÛÀÚ¸· | 90 | WS | B+
|
| 68 | űǵ¿ÀÚ ¸¶·çÄ¡ ¾Æ¶óÄ¡ ±ØÀåÆÇ (1977) | Çѱ¹ |  |
| ÀÓÁ¤±Ô | ÇѱÛÀÚ¸· | 70 | WS | B+
|
| 69 | ·Î¹öÆ® űÇV ±ØÀåÆÇ (1976) | Çѱ¹ |  |
| ±èû±â | ÇѱÛÀÚ¸· | 66 | WS | B+
|
| 70 | ±×¿Í ±×³àÀÇ »çÁ¤ ù¨ä«ù¨Ò³ªÎÞÀï× 1-12 (1999) | ÀϺ» |  |
| ¾È³ë È÷µ¥¾ÆÅ° | ÇѱÛÀÚ¸· | 360 | WS | B+
(Å×ÀÙ3°³) |
| 71 | ħ¹¬ÀÇ ÇÔ´ë ±ØÀåÆÇ öØÙùªÎùæÓé (1995) | ÀϺ» |  |
| ´ÙÄ«ÇÏÁö ·á½ºÄÉ | ÇѱÛÀÚ¸· | 96 | WS | B+
|
| 72 | ½Å±âµ¿Àü±â °Ç´ãW:³¡¾ø´Â ¿ÐÃ÷ ±ØÀåÆÇ ãæÑ¦ÔÑîúÑÀ«¬«ó«À«àW:Endless Waltz Special (1998) | ÀϺ» |  |
| ¾ß¿ÀŰ ¾ß½º³ª¿À | ÇѱÛÀÚ¸· | 90 | WS | B+
|
| 73 | ±âµ¿Àü»ç °Ç´ã Á¦08MS¼Ò´ë ±ØÀåÆÇ ѦÔÑîúÞÍ«¬«ó«À«à ð¯08MSá³Óé (1998) | ÀϺ» |  |
| Ä´Ù ´ÙÄÉÀ¯Å° | ÇѱÛÀÚ¸· | 65 | WS | B+
|
| 74 | Åýà µå¶óÀ̹ö (1976) | ¹Ì±¹ |  |
| ¸¶Æ¾ ½ºÄݼ¼Áö | ÇѱÛÀÚ¸· | 114 | WS | A+
|
| 75 | ¾Ç·É ÙÓØª (199) | ÀϺ» |  |
| üÜÙÊëÁìé | ÀÚ¸·¾øÀ½ | 120 | WS | B
|
| 76 | Æ®·ç ·Î¸Ç½º (199) | ¹Ì±¹ |  |
| Åä´Ï ½ºÄÚÆ® | ÀÚ¸·¾øÀ½ | 120 | WS | A
|
| 77 | »ç¿ì½º ÆÄÅ© South Park: Bigger, Longer and Uncut
(1998) | ¹Ì±¹ |  |
| Æ®·¹ÀÌ ÆÄÄ¿(¾Ö´Ï¸ÞÀ̼Ç) | ÀÚ¸·¾øÀ½ | 120 | | B+
|
| 78 | Ư±Ù After Hours
(1985) | ¹Ì±¹ |  |
| ¸¶Æ¾ ½ºÄݼ¼Áö | ÇѱÛÀÚ¸· | 97 | | B+
|
| 79 | Ç®¸ÞÅ»ÀÚÄÏ Full Metal Jacket
(1987) | ¹Ì±¹ |  |
| ½ºÅĸ® Å¥ºê¸¯ | ÇѱÛÀÚ¸· | 120 | | B+
|
| 80 | ¹è¸® ¸°µç Barry Lyndon
(197) | ¹Ì±¹ |  |
| ½ºÅĸ® Å¥ºê¸¯ | ÇѱÛÀÚ¸· | 180 | | B+
|
| 81 | º¯¹æ¿¡¼ Áß½ÉÀ¸·Î
(1997) | Çѱ¹ |  |
| È«Çü¼÷ | ÀÚ¸·¾øÀ½ | 120 | | B+
|
| 82 | ºí·¢Àè Black Jack (1996) | ÀϺ» |  |
| µ¥ÀÚŰ ¿À»ç¹« | ÇѱÛÀÚ¸· | 93 | WS | B+
|
| 83 | °Ç¹ö½ºÅÍ: žÀ» ³ë·Á¶ó (19) | ÀϺ» |  |
| ¾È³ë È÷µ¥¾ÆÅ° | ÇѱÛÀÚ¸· | 180 | WS | B+
|
| 84 | ÇÏ·ù
(1998) | ´ë¸¸ |  |
| ä¸í·® | ÇѱÛÀÚ¸· | 120 | | B+
|
| 85 | ºÒ°¡»ç¸®
(1985) | ºÏÇÑ |  |
| Á¶ÃѰï | ÀϾîÀÚ¸· | 120 | | B
|
| 86 | ¹éÄ¡µé Dogma: The Idiots
(1998) | µ§¸¶Å© |  |
| ¶ó½º º» Æ®¸®¿¡ | ¿µ¾îÀÚ¸· | 120 | | B+
|
| 87 | 4¿ù À̾߱â April Story (1998) | ÀϺ» |  |
| ÀÌ¿ÍÀÌ ½´¿îÁö | ÇѱÛÀÚ¸· | 67 | WS | B+
|
| 88 | ¶ó¼¾ ªéª»ªó The Spiral (1998) | ÀϺ» |  |
| ÀÌÀÌ´Ù Á¶¿ìÁö | ÀÚ¸·¾øÀ½ | 97 | WS | A
|
| 89 | ºÒ²É³îÀÌ, ¹Ø¿¡¼ º¼±î ¿·¿¡¼ º¼±î (1993) | ÀϺ» |  |
| ÀÌ¿ÍÀÌ ½´¿îÁö | ÀÚ¸·¾øÀ½ | 47 | WS | A
|
| 90 | õ±¹ÀÇ ³ª³¯µé Days of Heaven (1978) | ¹Ì±¹ |  |
| Å×·»½º ¸»¸¯ | ÀÚ¸·¾øÀ½ | 93 | WS | A+
|
| 91 | Áö¿Á L'Enfer (1994) | ÇÁ¶û½º |  |
| ²ø·Îµå »þºê·Ñ | ¿µ¾îÀÚ¸· | 100 | WS | A+
|
| 92 | °£Àå ¼±»ý Kanzo Sensei (1997) | ÀϺ» |  |
| À̸¶¹«¶ó ¼îÇìÀÌ | ÇѱÛÀÚ¸· | 128 | WS | B+
|
| 93 | ¸Þ¸® Å©¸®½º¸¶½º ¹Ì½ºÅÍ ·Î·»½º Merry Christmas Mr. Lawrence (1983) | ¹Ì±¹ |  |
| ¿À½Ã¸¶ ³ª±â»ç | ÇѱÛÀÚ¸· | 124 | WS | B+
|
| 94 | Invasion of Demon Brothers & Lucifer Rising
(1969) | ¿µ±¹ |  |
| Äɳ׽º ¾Þ°Å | ÀÚ¸·¾øÀ½ | 60 | | B+
|
| 95 | µµ»ìÀÚ Le Boucher
(1969) | ÇÁ¶û½º |  |
| ²ø·Îµå »þºê·Ñ | ÇѱÛÀÚ¸· | 93 | | B+
|
| 96 | ŸÀ̰Џ±¸®¿¡°Ô ¹«½¼ ÀÏÀÌ? What's Up with Tiger Lily?
(1966) | ¹Ì±¹ |  |
| ¿ìµð ¾Ù·± | ÇѱÛÀÚ¸· | 80 | | B+
|
| 97 | ¿©ÀÎÀÇ ÃÊ»ó ´ÙÅ¥¸àÅ͸® The Making of Portrait of a Lady
(199) | ¹Ì±¹ |  |
| ÇÇÅÍ ·Õ-ÄÉÀÌÆ® ¿¤¸®½º | ÀÚ¸·¾øÀ½ | 60 | | A
|
| 98 | ÇÏµå º¸Àϵå Hard-Boiled (1992) | È«Äá |  |
| ¿À¿ì»ï | ¿µ¾îÀÚ¸· | 126 | WS | A+
|
| 99 | ¹êµå ¿Àºê ¾Æ¿ô»çÀÌ´õ Band of Outsiders
(1964) | ÇÁ¶û½º |  |
| Àå-·ó °í´Ù¸£ | ¿µ¾îÀÚ¸· | 95 | | A+
|
| 100 | ´Ï°í½Ã¿¡ÀÌÅÍ The Negotiator (1998) | ¹Ì±¹ |  |
| F. °Ô¸® ±×·¹ÀÌ | ÀÚ¸·¾øÀ½ | 140 | WS | A+
|
| 101 | ¹èÆ®¸Ç°ú ·Îºó (1997) | ¹Ì±¹ |  |
| Á¶¿¤ ½´¸¶Çã | ÀÚ¸·¾øÀ½ | 125 | WS | A+
|
| 102 | Æ®·ç¸Õ ¼î The Truman Show (1998) | ¹Ì±¹ |  |
| ÇÇÅÍ À§¾î | ÀÚ¸·¾øÀ½ | 90 | WS | A
|
| 103 | ½º³×ÀÌÅ© ¾ÆÀÌÁî Snake Eyes (1998) | ¹Ì±¹ |  |
| ºê¶óÀ̾ð µå ÆÈ¸Ó | ÀÚ¸·¾øÀ½ | 99 | WS | A
|
| 104 | ¼½½ºÀÇ ¹Ý´ë¸» The Opposite of Sex (1998) | ¹Ì±¹ |  |
| µ· ·ç½º | ÀÚ¸·¾øÀ½ | 125 | WS | A
|
| 105 | Ç¥Àû Out of Sight (1998) | ¹Ì±¹ |  |
| ½ºÆ¼ºì ¼Ò´õ¹ö±× | ÀÚ¸·¾øÀ½ | 122 | WS | A
|
| 106 | ½ºÅ¸½± Æ®·çÆÛ½º Starship Troopers (1997) | ¹Ì±¹ |  |
| Æú ¹öÈ£º¥ | ÀÚ¸·¾øÀ½ | 129 | WS | A
|
| 107 | ¾ß»ý°¥´ë Les Roseaux sauvages (1994) | ÇÁ¶û½º |  |
| ¾Óµå·¹ Å×½Ã³× | ¿µ¾îÀÚ¸· | 120 | WS | A
|
| 108 | ¼¼ÀÎÆ® ·çÀ̽º¿¡¼ ¸¸³ª¿ä Meet Me in St. Louis (1944) | ¹Ì±¹ |  |
| ºó¼¾Æ® ¹Ì³Ú¸® | ÀϾîÀÚ¸· | 113 | WS | B+
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| 109 | ¹êµå ¿þ°Ç The Band Wagon (1953) | ¹Ì±¹ |  |
| ºó¼¾Æ® ¹Ì³Ú¸® | ÀϾîÀÚ¸· | 112 | WS | B+
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| 110 | ´ÜÆí¿µÈÀú³Î : ²Þ Short Cinema Joural : Dream (1998) | ¹Ì±¹ |  |
| Æú¸®±×·¥ ¿µÈ»ç | ÀÚ¸·¾øÀ½ | 180 | WS | A
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| 111 | ¿©¹è¿ì À¯·ÉÒ³éÐÖÄ (1996) | ÀϺ» |  |
| ³ªÄ«´Ù È÷µ¥¿À | ÇѱÛÀÚ¸· | 70 | WS | B+
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| 112 | Çб³±«´ã ùÊÎèªÎÎÖÓÈ: úüØÙªÎÙíÒ· (1995) | ÀϺ» |  |
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| 113 | Çб³±«´ã2 ùÊÎèªÎÎÖÓÈ: ۯΤýªÎª¦ªïªµªÐªÊª· (1996) | ÀϺ» |  |
| ÀÚ¸·¾øÀ½ | 120 | WS | B+
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| 114 | ¹æ¶ûÀÚ Ä˽Š: À¯½ÅÁö»ç¿¡ÀÇ ÁøÈ¥°¡ ªëªíª¦ªËËüãý: ë«ãæò¤ÞͪتÎòåûëʰ (1996) | ÀϺ» |  |
| ½ºÁö ÇÏÁöŰ(¾Ö´Ï) | ÇѱÛÀÚ¸· | 120 | WS | B+
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| 115 | ¸ùŰ ºñÁö´Ï½º Monkey Business
(1931) | ¹Ì±¹ |  |
| ¸·½º ºê·¯´õ½º-³ë¸¸ ¸Æ·¹¾îµå | ÀÚ¸·¾øÀ½ | 120 | | B+
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| 116 | ¸óƼ ÆÄÀ̼ÕÀÇ ºê¶óÀ̾ðÀÇ »î Monthy Python's The Life of Brian (1979) | ¹Ì±¹ |  |
| Å׸® ±æ¸®¾ö-Å׸® Á¸½º | ÀÚ¸·¾øÀ½ | 94 | WS | B+
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| 117 | À̺ê The Lady Eve
(1941) | ¹Ì±¹ |  |
| ÇÁ·¹½ºÅÏ ½ºÅÍÁö½º | ÀÚ¸·¾øÀ½ | 97 | | B+
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| 118 | Áý½ÃÀÇ ½Ã°£ Time of the Gypsies
(1988) | À¯°í |  |
| ¿¡¹Ð Äí½ºÆ®¸®Â÷ | ¿µ¾îÀÚ¸· | 140 | | A
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| 119 | öÀÇ »ç³ªÀÌ Man of Iron
(1981) | üÄÚ |  |
| ¾ÈÁ¦ÀÌ ¹ÙÀÌ´Ù | ¿µ¾îÀÚ¸· | 156 | | A
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| 120 | ¿Ã¸®¹ö Æ®À§½ºÆ® Oliver Twist
(19) | ¿µ±¹ |  |
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| 121 | À̹ݴëÁ¦ 2 Ivan Grozny II
(19) | ·¯½Ã¾Æ |  |
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| 122 | ¾îµ½¼Ç Adoption
(1976) | Çë°¡¸® |  |
| ¸¶¸£Å¸ ¸ÞÀڷνº | ÇѱÛÀÚ¸· | 120 | | A
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| 123 | º£·Î´ÏÄ« Æ÷½ºÀÇ °¥¸Á Die Sehnsucht der Veronika Voss
(19) | µ¶ÀÏ |  |
| ¶óÀÌ³Ê º£¸£³Ê ÆÄ½ººó´õ | ÇѱÛÀÚ¸· | 120 | | B+
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| 124 | ³»°¡ °¡´Â °÷Àº ¾îµðÀΰ¡! I Know Where I'm Going!
(19) | ¿µ±¹-¹Ì±¹ |  |
| ¸¶ÀÌŬ ÆÄÀ£-¿¡¸Ó¸¯ ÇÁ·¹½º¹ö°Å | ÇѱÛÀÚ¸· | 120 | | A
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| 125 | Á¦5¿ø¼Ò The Fifth Element (1997) | ¹Ì±¹ |  |
| ·ó º£¼Û | ÀÚ¸·¾øÀ½ | 127 | WS | A
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| 126 | ÄÁÅÃÆ® Contact (1997) | ¹Ì±¹ |  |
| ·Î¹öÆ® Àú¸ÞŰ½º | ÀÚ¸·¾øÀ½ | 140 | WS | A+
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| 127 | õ³àÀ¯È¥2 The Chinese Ghost Story II (1990) | Áß±¹ |  |
| Á¤¼Òµ¿ | ÀÚ¸·¾øÀ½-ÇѱÛÀÚ¸· | 103 | WS | A+
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| 128 | Ä®¸®Åä Carlito's Way (1993) | ¹Ì±¹ |  |
| ºê¶óÀ̾ð µå ÆÈ¸Ó | ÀÚ¸·¾øÀ½ | 145 | WS | A+
|
| 129 | ·ò¹Ì¿¡¸£¿Í Ä£±¸µé Lumiere et Compagnie
(1995) | ÇÁ¶û½º-½ºÆäÀÎ-½º¿þµ§ |  |
| »ç¶ó ¹® | ÇѱÛÀÚ¸· | 90 | | A
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| 130 | õ±¹À¸·Î °¡´Â °è´Ü A Matter of Life and Death
(19) | ¿µ±¹-¹Ì±¹ |  |
| ¸¶ÀÌŬ ÆÄÀ£-¿¡¸Ó¸¯ ÇÁ·¹½º¹ö°Å | ÇѱÛÀÚ¸· | 120 | | A
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| 131 | À§´ëÇÑ À¯»ê Great Expectations
(1946) | ¿µ±¹ |  |
| µ¥À̺ø ¸° | ÇѱÛÀÚ¸· | 120 | | A
|
| 132 | ÇØ¸®¸¦ ÆÄ±«Çϱâ Deconstructing Harry
(1998) | ¹Ì±¹ |  |
| ¿ìµð ¾Ù·± | ÀÚ¸·¾øÀ½(ĸ¼Ç°¡´É) | 96 | | A
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| 133 | ¸µ ªêªóª´ (1998) | ÀϺ» |  |
| ³ªÄ«´Ù È÷µ¥¿À | ÇѱÛÀÚ¸· | 95 | WS | B+
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| 134 | ¶ó¼¾ ªéª»ªó The Spiral (1998) | ÀϺ» |  |
| ÀÌÀÌ´Ù Á¶¿ìÁö | ÇѱÛÀÚ¸· | 97 | WS | B+
|
| 135 | ³ëÀÎ Z (1991) | ÀϺ» |  |
| ŰŸÄíº¸ Ã÷Å乫 | ÇѱÛÀÚ¸· | 90 | WS | B+
|
| 136 | Æ÷½ºÆ®¸Ç ºí·ç½º Postman Blues (1997) | ÀϺ» |  |
| »çºÎ | ÇѱÛÀÚ¸· | 110 | WS | B+
|
| 137 | Å¥¾î Cure (1997) | ÀϺ» |  |
| ±¸·Î»ç¿Í ±â¿ä½Ã | ÇѱÛÀÚ¸· | 110 | WS | B+
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| 138 | ¼öÀÚÄí ØðªÎñ¹íÍ (1997) | ÀϺ» |  |
| °¡¿Í¼¼ ³ª¿À¹Ì | ÇѱÛÀÚ¸· | 95 | WS | B+
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| 139 | º¹¼ Á¶ Boxer Joe (199) | ÀϺ» |  |
| »çÄ«¸ðÅä ÁØÁö | ÇѱÛÀÚ¸· | 120 | WS | B+
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| 140 | Æ÷°¡Æ° ½Ç¹ö Forgotten Silver (1995) | ´ºÁú·£µå |  |
| ÇÇÅÍ Àè½¼ | ÇѱÛÀÚ¸· | 52 | WS | B
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| 141 | ·¯ºê ¾Ø ÆË Love and Pop (1998) | ÀϺ» |  |
| ¾È³ë È÷µ¥¾ÆÅ° | ÇѱÛÀÚ¸· | 110 | WS | B+
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| 142 | õ±¹º¸´Ù ³¸¼± Stranger Than Paradise
(1984) | ¹Ì±¹ |  |
| Áü ÀÚ¹«½¬ | ÀÚ¸·¾øÀ½ | | | B+
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| 143 | ÇÎÅ© Ç÷ÎÀ̵åÀÇ º® Pink Floyd's The Wall (1979) | ¹Ì±¹ |  |
| ¾Ë¶õ ÆÄÄ¿ | ÀÚ¸·¾øÀ½ | 103 | WS | A
|
| 144 | ½½·¹À̾ Slayers Excellent: Vol.1 ªéªÓªêªóª¹ (19) | ÀϺ»(¾Ö´Ï¸ÞÀ̼Ç) |  |
| ¿ÍŸ³ªº£ È÷·Î½Ã | ÇѱÛÀÚ¸· | 120 | WS | A
|
| 145 | ÇïÇÁ¸®½º Helpless (1996) | ÀϺ» |  |
| ¾Æ¿À¾ß¸¶ ½ÅÁö | ÇѱÛÀÚ¸· | 120 | WS | B+
|
| 146 | ÃÑ¾Ë ¹ß·¹ Bullet Ballet (1998) | ÀϺ» |  |
| Ã÷Ä«¸ðÅä ½Å¾ß | ÇѱÛÀÚ¸· | 96 | WS | B+
|
| 147 | ¹ÌÄ¡±¤ÀÌ ÇÇ¿¡·Î Pierro Le Fou (1965) | ÇÁ¶û½º-ÀÌÅ»¸®¾Æ |  |
| Àå-·ó °í´Ù¸£ | ¿µ¾îÀÚ¸· | 110 | WS | A+
|
| 148 | ºñµð¿Àµå·Ò Videodrome (1982) | ¹Ì±¹ |  |
| µ¥À̺ø Å©·Î³Ù¹ö±× | ÀÚ¸·¾øÀ½ | 89 | WS | A+
|
| 149 | ÆÄÀÌ Pi (1997) | ¹Ì±¹ |  |
| ´Ù·» ¾Æ¸£³ëÇÁ½ºÅ° | ÀÚ¸·¾øÀ½ | 85 | WS | A+
|
| 150 | ±èÀüÀÏ ¼Ò³â »ç°Ç¼öø ÑÑîïìéá´Ò´ªÎÞÀËìÝ (1997) | ÀϺ» |  |
| ¿äÀںηΠī³ª¸®-ÈÄ¹Ì¾ß »çÅä | ÇѱÛÀÚ¸· | 100 | WS | B+
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